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Publication Date : 1 November 2012
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Stealing All Transmissions is a love story. It’s the story of how The Clash fell in love with America, and how America loved them back. The romance began in full in 1977, when select rock journalists and deejays aided the band’s quest to depose the rock of indolence that dominated American airwaves. This history situates The Clash amid the cultural skirmishes of the 1970s, and culminates with their September 1979 performance at the Palladium, in New York City. This concert was broadcast live on WNEW, and it concluded with Paul Simonon treating his Fender bass like a woodsman’s ax.
This performance produced one of the most exhilarating Clash bootleg recordings, and the photo of Simonon’s outburst—which graced the cover of the London Calling LP—was recently deemed the greatest rock’n’roll photograph of all time. That night marked one of the last opportunities for American audiences to see The Clash as a punk band, vying between conviction and uncertainty, before they became a seriously brilliant rock group.
Stealing represents a distinctive take on the history of punk, for no other book gives proper attention to the forces of free-form radio, long-form rock journalism, or Clash bootleg recordings—many of which are now widely available on the web. This story, which takes its title from the 1981 single “Radio Clash,” includes original interviews with key figures from the New York punk scene. Many of these musicians, deejays, and program directors joined the staff of Sirius XM Radio, where the long-standing clash between art and commerce is repeating itself anew. This secret history concludes with an analysis of how we listen to music today and its impact on the written word.
2 Reviews
musicwordmedia
~ 12-7-2012 at 14:47:56
Rock and Roll exploded in many forms, the creators of the music have their own demons driving their work. “Stealing All Transmissions: A Secret History of the Clash” discusses the story of The Clash, the British Punk Rock group who gained a cult following in America and the people in the band took a liking to the country as well, in particular New York City. Randal Doane seeks to tell the untold story of the band, telling of the band’s struggles with its art and its place in the greater history of punk and music in general. “Stealing All Transmissions” is a must for any fan of the group, highly recommended.
–John Burroughs, Midwest Book Review, December 2012
musicwordmedia
~ 2-12-2013 at 21:36:04
“Quite unlike anything else you’ve read about The Clash thus far…a unique take…research is strong and well formulated…perspective provides such depth…a great read.” –Tim at The Clash Blog